![]() Barbash’s book Where the Roads All End: Photography and Anthropology in the Kalahari (Peabody Museum Press, 2016) was the recipient of the Society for Visual Anthropology’s 2017 John Collier Junior Award for visual excellence in the use of still photography. She co-wrote Cross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Video (1997) and co-edited The Cinema of Robert Gardner (2007). State Department and the University of Southern California’s 2012 American Documentary Showcase. She co-directed the films In and Out of Africa (1992) and Sweetgrass (2009), which was nominated as best documentary film for the Independent Spirit Awards, Gotham Award, IDA Documentary Award, and Cinema Eye Awards and was selected for the U.S. Ilisa Barbash is curator of visual anthropology at Harvard’s Peabody Museum of Archaeology and Ethnology. They are a 2019 graduate of Harvard College where they co-founded the Harvard Black Playwrights Festival. ![]() Recent collaborations include assisting directing The Black Clown (The American Repertory Theater, Lincoln Center) and Perle Noire: Meditations for Joséphine (The Met Museum) alongside director Zack Winokur. ![]() Recent performance research includes SLAMDANCE, a solo concert on punk and Blackness, and A Story Project, a directing thesis on process and storytelling. Ian Askew is an artist working in performance, theater, and music. ![]()
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